000 02232ngm a22002537a 4500
003 OSt
005 20260616081426.0
008 260522b |||||||| |||| 00| mleng d
028 _aIN 4486
040 _cGoethe Zentrum Library
041 _aGerman
_jGerman, English, Portuguese, Spanish, French, Russian, Chinese, Arabic
082 _aDF2020/03
100 _aHepp, Anna
_eRegisseur/in
245 _a800 Mal Einsam: Ein tag mit dem Filmemacher Edgar Reitz
246 _a800 TIMES LONELY one day with German filmmaker Edgar Reitz [EN]
260 _aDeutschland :
_bGoethe-Institut e.v ,
_c2020
300 _aColour + B&W, 85 min.
_c12cm,
_e1xDVD
520 _aIm Austausch der Generationen trifft der Mitunterzeichner des berühmten Oberhausener Manifesters und Wegbereiter des "Neuen Deutschen Films" auf die Nachwuchsregisseurin Anna Hepp. Der Film greift Fragen nach seiner persönlichen Biografie bis hin zum Kino-sterben auf und wird zur Liebeserklärung an das Filmemachen an sich.Eine Widmung an das Kino, an die Filmkunst, ans Scheitern und Lieben. Und an Edgar Reitz...
520 _a[EN] An old man and a young woman in one of Germany’s most beautiful cinemas: For her interview portrait of filmmaker Edgar Reitz, director Anna Hepp chose the Filmpalast Lichtburg in Essen from the 1920s; film and cinema history meet. Reitz started making films more than 60 years ago, he was a co-signatory of the Oberhausen Manifesto in 1962, one of the pioneers of the New German Cinema and he made television history with his Heimat series. Along the way, he rehabilitated the word Heimat, which had been tainted by Nazi ideology and the Heimatfilme of the 1950s. From the outset, Hepp does not deny that she admires Reitz and his work, which the latter counters above all with humour and an irrepressible delight in storytelling – the film thus becomes the document of an encounter. The result is not only a sensitive portrait of the filmmaker, but also an intelligent reflection on a declaration of love for filmmaking and cinema in Germany; supplemented by a few, precisely selected excerpts from Reitz’s works.
653 _aBiography
653 _aFilm making
655 _aDocumentary
942 _2Custom
_cDF
_n0
999 _c1638
_d1638