800 Mal Einsam: Ein tag mit dem Filmemacher Edgar Reitz (Record no. 1638)

MARC details
000 -LEADER
fixed length control field 02232ngm a22002537a 4500
003 - CONTROL NUMBER IDENTIFIER
control field OSt
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20260616081426.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 260522b |||||||| |||| 00| mleng d
028 ## - PUBLISHER OR DISTRIBUTOR NUMBER
Publisher or distributor number IN 4486
040 ## - CATALOGING SOURCE
Transcribing agency Goethe Zentrum Library
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title German
Language code of subtitles German, English, Portuguese, Spanish, French, Russian, Chinese, Arabic
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number DF2020/03
100 ## - MAIN ENTRY--PERSONAL NAME
Personal name Hepp, Anna
Relator term Regisseur/in
245 ## - TITLE STATEMENT
Title 800 Mal Einsam: Ein tag mit dem Filmemacher Edgar Reitz
246 ## - VARYING FORM OF TITLE
Title proper/short title 800 TIMES LONELY one day with German filmmaker Edgar Reitz [EN]
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Deutschland :
Name of publisher, distributor, etc. Goethe-Institut e.v ,
Date of publication, distribution, etc. 2020
300 ## - PHYSICAL DESCRIPTION
Extent Colour + B&W, 85 min.
Dimensions 12cm,
Accompanying material 1xDVD
520 ## - SUMMARY, ETC.
Summary, etc. Im Austausch der Generationen trifft der Mitunterzeichner des berühmten Oberhausener Manifesters und Wegbereiter des "Neuen Deutschen Films" auf die Nachwuchsregisseurin Anna Hepp. Der Film greift Fragen nach seiner persönlichen Biografie bis hin zum Kino-sterben auf und wird zur Liebeserklärung an das Filmemachen an sich.Eine Widmung an das Kino, an die Filmkunst, ans Scheitern und Lieben. Und an Edgar Reitz...
Summary, etc. [EN] An old man and a young woman in one of Germany’s most beautiful cinemas: For her interview portrait of filmmaker Edgar Reitz, director Anna Hepp chose the Filmpalast Lichtburg in Essen from the 1920s; film and cinema history meet. Reitz started making films more than 60 years ago, he was a co-signatory of the Oberhausen Manifesto in 1962, one of the pioneers of the New German Cinema and he made television history with his Heimat series. Along the way, he rehabilitated the word Heimat, which had been tainted by Nazi ideology and the Heimatfilme of the 1950s. From the outset, Hepp does not deny that she admires Reitz and his work, which the latter counters above all with humour and an irrepressible delight in storytelling – the film thus becomes the document of an encounter. The result is not only a sensitive portrait of the filmmaker, but also an intelligent reflection on a declaration of love for filmmaking and cinema in Germany; supplemented by a few, precisely selected excerpts from Reitz’s works.
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Biography
Uncontrolled term Film making
655 ## - INDEX TERM--GENRE/FORM
Genre/form data or focus term Documentary
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme Custom Category Classification System
Koha item type Documentaries/Films eg DVDs (DF)
Suppress in OPAC No
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Collection Home library Current library Shelving location Date acquired Total checkouts Full call number Barcode Date last seen Price effective from Koha item type
    Custom Category Classification System     Fiction Goethe Zentrum - Kampala Library Goethe Zentrum - Kampala Library Audio visual 05/22/2026   DF2020/03 2026-0427 05/22/2026 05/22/2026 Documentaries/Films eg DVDs (DF)